The 2026 Bangladeshi survival thriller “Dom,” directed by Redoan Rony, is based on the true story of Shahjahan Islam Noor, a Bangladeshi NGO worker who was abducted by the Taliban in Afghanistan and endured 84 days in captivity.
The film opens with Noor playing kabaddi, a sport where the key rule is holding one’s breath—“dom.” The longer a player can hold their breath, the greater their chance of winning. This idea of endurance and breath control is used symbolically, giving the film its title.
Noor, the central character, works for an NGO called “Nest.” He is offered a job in Afghanistan. Newly married and full of dreams, Noor hopes that working abroad will allow him to earn more money and build a better life. He dreams of constructing a proper home where rainwater will not leak through the roof and installing a tube well so his wife
will not have to depend on others for basic needs. With tears in their eyes, his mother and wife bid him farewell.
But fate takes a harsh turn. Noor is captured by the Taliban, beginning a journey of unimaginable suffering. He endures severe physical and psychological torture, yet he never loses hope. Even in the darkest moments, he holds on to his inner strength, his faith in God, and the love of his wife and mother.
This relentless will to survive forms the core of the film. After 84 days of living on the edge of death, Noor finally regains his freedom. His return is a testament to his extraordinary mental strength. The film’s central message is clear: in the face of adversity, one must hold
on, keep fighting, and endure as long as there is breath.
Noor eventually returns to his wife, Rani. Her unwavering struggle and hope for her husband’s return add deep emotional weight to the story.
Afran Nisho delivers a powerful performance in the lead role. His portrayal vividly captures the pain, resilience, and emotional depth of Noor’s character. Puja Cherry also shines, beautifully expressing the love and longing of a wife waiting for her husband’s return.
The film also features strong performances by Chanchal Chowdhury and Dolly Zahur, both of whom bring depth and authenticity to their roles.
The storytelling, location choices, and overall direction are commendable. The music is thoughtfully used, enhancing the emotional intensity of the narrative. The director successfully keeps the audience engaged in a tense and gripping journey from beginning to end.
One of the most memorable moments is Noor’s powerful line: “I am Shahjahan Islam Noor, a Bangladeshi Muslim—remember that.” This dialogue resonates deeply and lingers in the minds of viewers long after the film ends.
Finally, heartfelt thanks go to Bioscope Films and its leaders, Raj Hamid and Rubna Rashid. Their efforts have made it possible for audiences abroad to experience Bangladeshi cinema. Every Bangla film brings a piece of Bangladesh closer to those living far from home.
